Photography is a process that was invented in 1839, and, until the last 50 years or so, was considered to be more of a scientific pursuit, rather than artistic.  Today, however, photography enjoys its place alongside painting and sculpture in museums.  Its relative “youthfulness” as an art form and the fact that photographs are generally sold in multiples makes photography the ideal medium for the beginning collector, since prices are generally not outrageous.  For example, a collector could own a modern print by a famous photographer for approximately $1,000-$5,000.

 

Whether you decide to own one print or already own several, learning about fine art photography is part of becoming a collector.  Please feel free to contact Jennifer with any question you may have.  In the meantime, here are some things most people are curious about:

 

Frequently Asked Questions

What is a vintage print? 

The definition of a vintage print varies somewhat, but, in general, a vintage print is a print made from a negative within the first year of the photograph being taken.  As the years pass, the window for “vintage” can expand to ten or twenty years.  So often the term “vintage” is applied by curators and auction houses based on the age of the photograph.

 

What is a modern print?

 

This is a print made in the last several years from a much older negative.  For example, a photograph may have been taken in 1955, but modern prints could still be made today if the artist or artist’s estate authorizes the printing.

 

Should a photograph always be signed?

 

Generally speaking, contemporary photographs are always signed by the artist, either on the recto (front) or verso (back) of the print.  Older photographs may or may not have been signed, depending on the artist.  Many photojournalists did not sign their work because they themselves did not consider their work to be “art.”

 

Are photographs always in editions?

 

As with a signature, almost all contemporary photographs are done in editions in order to limit how many there are and to maintain the value of existing prints.  Older photographers, however, very often did not edition their work, because it was simply not done several decades ago.  This does not diminish the print’s value.  The photographer likely did not make that many prints of an image due to the time it takes to make prints.  By looking at the current art market and certainly through direct knowledge of the photographer, one can estimate the number of prints circulating.


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